![]() The earliest known male ancestor of Franz Liszt is his great-grandfather, Sebastian List, who as one of the thousands of German-speaking migrant serfs entered Hungary from Lower Austria in the first half of the 18th century, and died in 1793 in Rajka, Moson County. Memorial tablet at the Leopold de Pauli Palace in Bratislava commemorating Liszt's concert there in 1820, aged 9 Early life Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony. He left behind an extensive and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.Īs a composer, Liszt was one of the most prominent representatives of the " Neudeutsche Schule" ("New German School"). He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. Over time, however, Liszt’s masterwork found its audience, and today it is an absolute favourite of many pianists, music theorists, and classical music lovers across the globe.Portrait by Adolphe Braun, circa 1860–1877.įranz Liszt ( Hungarian: Ferencz Liszt, in modern use Ferenc Liszt, from 1859 to 1867 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. ![]() Its technical difficulty also meant that it struggled to become a core part of the repertoire for some time, as even the most talented pianists of the time were wary of taking it on. Brahms, who had a long and tumultuous history with Liszt, is even said to have fallen asleep at its premiere, and one critic said that “anyone who has heard it and finds it beautiful is beyond help.” Unusually for a sonata, its movements are played back to back without pause, and at the time received a highly divisive response. Dedicated to Robert Schumann, many have attempted to ascribe to it a meaning beyond the music, from yet another Faustian depiction to the story of the Garden of Eden, and even the suggestion that it could musical autobiography. Liszt achieved true perfection in 1853, when he completed his Piano Sonata in B minor. Liszt - La Campanella Played on an LED Piano This duo of pieces reveal an affection and sensitivity in Liszt for the Bible and its stories, as he uses the piano as a storytelling device to mimic the chirping of birds in the first piece and the aquatic rippling of the Mediterranean Sea in the second. Yet he wrote a large number of sacred choral works, and for eight years in the 1860s he took up residence in the Vatican, later being known as Abbé Liszt. His relationship with the church ebbed and flowed over the course of his life, as he generated mistrust within sacred society with his flamboyant womanising lifestyle and obsessions with the macabre in his compositions. Based on miniature stories of two Catholic saints, St Francis of Assisi and St Francis of Paola, these Deux légendes provide a delicate insight into Liszt’s otherwise private religious and spiritual beliefs. In 1863, Liszt wrote a pair of pieces for solo piano which are beyond compare in the remainder of his output. Faust, in turn, whisks away one of the village maidens, turning and twirling into the forest beyond. The joyous festivities take a turn when the demon commandeers a violin and ekes out an ‘indescribably seductive’ melody. Subtitled ‘The Dance in the Village Inn’, it follows a part of Nikolaus Lenau’s Faust story, in which Mephistopheles and Faust join a village wedding party. ![]() Written in the years between 18, the first waltz is the most famous. Liszt wrote four Mephisto Waltzes, named for one of the most renowned demons in German folk literature (also known as Mephistopheles). Here are the 15 greatest pieces he ever wrote. Over a six-decade career, he left behind a colossal amount of music – mostly piano, but also orchestral and vocal. Not least because of his swarming fanbase and 6’1” height, Liszt loomed large over the German music scene as an innovative and experimental performer and composer. Read more: Franz Liszt: discover the great Romantic composer’s life
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